My work examines the interplay between time, causality, and memory, exploring how personal and collective histories merge, dissolve, and reconfigure. Through digital and analog archiving, documentation, and restructuring, I investigate how fragmented material can be reshaped, revealing underlying patterns and unexpected connections. Algorithmic processes disrupt fixed interpretations, allowing image, sound, and text to shift in meaning.

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Sonology, modular systems, and live performances form the core of my practice, enabling real-time transformations of archival material. Generative techniques rework existing recordings, introducing an element of unpredictability that exposes the fluid nature of memory. The act of repetition and reprocessing functions as a method to uncover hidden structures and temporal synchronicities within the material itself.

 

Operating at the intersection of media art, sound art, and film, I position the archive as an evolving system rather than a static repository. Through continuous reinterpretation, I examine how recorded history is shaped by technological processes and how the relationship between past and present remains fluid. The use of automated and rule-based systems introduces a dynamic relationship between control and autonomy, reflecting on the ways in which historical narratives are not only preserved but actively reshaped by the structures through which they are processed.